adorablyrotten:

kastiakbc:

OH MY GOOOOOOOOOOOOOOOOOOOOOOSH

SWEET FUCK ON A FUCKSTICK

Reblogged from The frailest scrotum.

dekurisu:

five nights at freddy’s more like

image

Reblogged from Amateur Vigilante
Tags: LAUGH RULE
I think one thing you can do to help your friends who are depressed is to reach out to them not in the spirit of helping, but in the spirit of liking them and wanting their company. “I’m here to help if you ever need me” is good to know, but hard to act on, especially when you’re in a dark place. Specific, ongoing, pleasure-based invitations are much easier to absorb. “I’m here. Let’s go to the movies. Or stay in and order takeout and watch some dumb TV.” “I’m having a party, it would be really great if you could come for a little while.” Ask them for help with things you know they are good at and like doing, so there is reciprocity and a way for them to contribute. “Will you come over Sunday and help me clear my closet of unfashionable and unflattering items? I trust your eye.” “Will you read this story I wrote and help me fix the dialogue?” “Want to make dinner together? You chop, I’ll assemble.” “I am going glasses shopping and I need another set of eyes.” Remind yourself why you like this person, and in the process, remind them that they are likable and worth your time and interest.

Talk to the parts of the person that aren’t being eaten by the depression. Make it as easy as possible to make and keep plans, if you have the emotional resources to be the initiator and to meet your friends a little more than halfway. If the person turns down a bunch of invitations in a row because (presumably) they don’t have the energy to be social, respect their autonomy by giving it a month or two and then try again. Keep the invitations simple; “Any chance we could have breakfast Saturday?” > “ARE YOU AVOIDING ME BECAUSE YOU’RE DEPRESSED OR BECAUSE YOU HATE ME I AM ONLY TRYING TO HELP YOU.” “I miss you and I want to see you” > “I’m worried about you.” A depressed person is going to have a shame spiral about how their shame is making them avoid you and how that’s giving them more shame, which is making them avoid you no matter what you do. No need for you to call attention to it. Just keep asking. “I want to see you” “Let’s do this thing.” “If you are feeling low, I understand, and I don’t want to impose on you, but I miss your face. Please come have coffee with me.” “Apology accepted. ApologIES accepted. So. Gelato and Outlander?”

#613: How do I reach out to my friends who have depression? | Captain Awkward

P.S. A lot of people with depression and other mental illnesses have trouble making decisions or choosing from a bunch of different options. “Wanna get dinner at that pizza place on Tuesday night?” is a LOT easier to answer than “So wanna hang out sometime? What do you want to do?”

(via ninjoc)
Reblogged from Not Very Interesting

freakyfeatures:

hey, so are we on a “tu” basis or are we still pretty “vous”

Reblogged from Down in the Gutters

thespacegoat:

I’m pissing myself laughing at the Beatles fans who are saddened that Kanye West might make an album w/ Paul McCartney because now they’ll be left with the age old challenge of being a classic rock fan, "should I stick with my racially bias opinion of music or admit that rap is a legitimate art form?" I can hardly wait for all the cry babies I’m jerking off rn just thinking about it

Reblogged from Squadron Log
Tags: LAUGH RULE
As Arnold points out, there is an otherwise inexplicable shift in direction in the Piccadilly line passing east out of South Kensington. “In fact,” she writes, “the tunnel curves between Knightsbridge and South Kensington stations because it was impossible to drill through the mass of skeletal remains buried in Hyde Park.” I will admit that I think she means “between Knightsbridge and Hyde Park Corner”—although there is apparently a “small plague pit dating from around 1664” beneath Knightsbridge Green—but I will defer to Arnold’s research.

But to put that another way, the ground was so solidly packed with the interlocked skeletons of 17th-century victims of the Great Plague that the Tube’s 19th-century excavation teams couldn’t even hack their way through them all. The Tube thus had to swerve to the side along a subterranean detour in order to avoid this huge congested knot of skulls, ribs, legs, and arms tangled in the soil—an artificial geology made of people, caught in the throat of greater London.

London and Its Dead

i read shit like this and think what could my imagination possibly have to add

like how do i write something about london that’s weirder than london already is?

(via weunderstandthelights)

Reblogged from MorkaisChosen

fieldbears:

lydiduh:

In 15 seconds of dialogue Francis Wilkerson sums up what’s wrong with how women are criticized in our society and it’s great

I literally remember when this aired and something clicked in my head. He was putting to words what I kept seeing over and over in media without apology or explanation

giddytf2:

image

Always reblog big kitties with their leetle kitties.

Legit Tip #105

legit-writing-tips:

Why is your main character the main character?

No, it’s not because you said so. It’s not because they’re the chosen one, either. Stop that. Chosen one stories are only interesting if you find a way to put a spin on it (like J.K. Rowling did by designing a prophecy that Neville could have realistically been the center of). 

It’s important that you think about what it is that makes your main character unique. And that doesn’t mean a special skill or ability that they have. What is it about their personality that makes them the most qualified person for the “job” in your story?

Where Harry Potter succeeds as a main character is the part of his personality, influenced by years of abuse by the Dursleys (and Snape, and Draco…) that makes him determined to stand up to bullies. It’s something that you see continually throughout the series, without explicitly being told by the author that this is a main component of his personality. 

Likewise, where the oft-criticized Twilight more or less falters is with Bella. We don’t know anything about her, or why she deserves to be the main character of this story. When the author finally does begin to express some of what makes Bella different, it’s too little, too late. (It is clear, however, that her ability and drive to protect those she cares about at all costs is meant to be her defining feature). 

So stop right now, and ask yourself - why does my current MC deserve to be the main character of his/her/their story? If you can’t come up with a clear answer, you may need to start rethinking who your MC really is. 

Reblogged from Legit Writing Tips